Saturday, May 23, 2020
Surrendering to the Menacing Darkness of Silence,...
â€Å"A woman’s garb covers me from tip to toe. Inside, made of stone, a hardened heart alone Can stone ever be molten by tear’s ebb and flow?†-Binodini Dasi. Violence against women is a worldwide phenomenon which spans all social classes and age groups. Violence in both its subtle and blatant from is so deeply embedded in cultures around the world that it is almost rendered invisible. To quote Charlotte Bunch – â€Å"Opening the door on the subject of violence against the world’s females is like standing†¦show more content†¦Leela and Bhaskar, an urban middle-class couple have been hearing the terrifying screams of sexual assault on a woman for several weeks in their neighborhood. Leela discloses her fears and persists on Bhaskar to call the police, to which he acts unresponsively calling Leela â€Å"oversensitive†about the issue a nd he also points at the difficulty of persuading the police about the credibility of the crime. At one instance it is revealed that though Bhaskar has apparently no desire to do anything for the crime being committed freely before their eyes day after day, nevertheless he does watch it, as Leela’s dialogue makes it evident, â€Å"We don’t even really watch, do we? I don’t. But†¦you do. You watch it!†(Padmanabhan, 6) And Bhaskar admits to this. Bhaskar’s friend Mohan comes to their house to see the â€Å"crime being committed†. The perpetrators of such inhuman violence have commanded the inhabitants of the locality to put their lights out at night, thus succeeding in throwing darkness
Monday, May 11, 2020
The Japanese Christmas Song Awatenbou no Santakuroosu
Christmas has become a popular celebration in Japan, even though less than one percent of the Japanese are Christian. However, Christmas is not a family time in Japan. In fact, it is not even a national holiday. December 23rd, though, is a holiday because it is the birthday of the present emperor. Most Japanese work on Christmas day, just like any other day. On the other hand, New Years Day is an important holiday where families get together and have a special feast. So, how do the Japanese celebrate Christmas? It is a time for lovers to have a romantic dinner and give presents, much like St Valentines Day. The media now really push Christmas Eve as being a time for romance. Thats why Christmas Eve is more important in Japan than Christmas day itself. Fancy restaurants and hotels are often booked solid at this time. In December, Christmas classics are played everywhere. Most popular Japanese Christmas songs are for lovers. Here is a Japanese Christmas song for children called, Awatenbou no Santakuroosu (Hasty Santa Claus). You can check out the animated version of Awatenbou no Santakuroosu on Youtube. The Lyrics of Awatenbou no Santakuroosu 㠂゠㠦ん㠼㠆㠮ã‚ µÃ£Æ' ³Ã£â€š ¿Ã£â€š ¯Ã£Æ' ãÆ' ¼Ã£â€š ¹Ã£â€š ¯Ã£Æ' ªÃ£â€š ¹Ã£Æ'žã‚ ¹Ã£ ¾Ã£ ˆã « や㠣㠦ã ã Ÿã „ã ã „ã § ãÆ' ªÃ£Æ' ³Ã£Æ' ªÃ£Æ' ³Ã£Æ' ªÃ£Æ' ³Ã£ „ã ã „ã § ãÆ' ªÃ£Æ' ³Ã£Æ' ªÃ£Æ' ³Ã£Æ' ªÃ£Æ' ³Ã© ³ ´Ã£â€šâ€°Ã£ â€"㠦ã Šã ã‚Å'よ é ˜ã‚’ãÆ' ªÃ£Æ' ³Ã£Æ' ªÃ£Æ' ³Ã£Æ' ªÃ£Æ' ³ ãÆ' ªÃ£Æ' ³Ã£Æ' ªÃ£Æ' ³Ã£Æ' ªÃ£Æ' ³Ã£Æ' ªÃ£Æ' ³Ã£Æ' ªÃ£Æ' ³Ã£Æ' ªÃ£Æ' ³ 㠂゠㠦ん㠼㠆㠮ã‚ µÃ£Æ' ³Ã£â€š ¿Ã£â€š ¯Ã£Æ' ãÆ' ¼Ã£â€š ¹Ã£ ˆã‚“㠨㠤㠮ã žã „ã ¦ è ½Ã£ £Ã£ “㠡ã Ÿã ‚ã „ã Ÿã Ÿ ãÆ'‰ãÆ' ³Ã£Æ'‰ãÆ' ³Ã£Æ'‰ãÆ' ³Ã£ ‚ã „ã Ÿã Ÿ ãÆ'‰ãÆ' ³Ã£Æ'‰ãÆ' ³Ã£Æ'‰ãÆ' ³Ã£ ¾Ã£ £Ã£ ã‚ ã ã‚ ã ‘ã ® ã Šé ¡â€Ã£Æ'‰ãÆ' ³Ã£Æ'‰ãÆ' ³Ã£Æ'‰ãÆ' ³ ãÆ'‰ãÆ' ³Ã£Æ'‰ãÆ' ³Ã£Æ'‰ãÆ' ³Ã£Æ'‰ãÆ' ³Ã£Æ'‰ãÆ' ³Ã£Æ'‰ãÆ' ³ 㠂゠㠦ん㠼㠆㠮ã‚ µÃ£Æ' ³Ã£â€š ¿Ã£â€š ¯Ã£Æ' ãÆ' ¼Ã£â€š ¹Ã£ â€"ã ‹ã Ÿã Å'㠪ã „㠋ら è ¸Å ã £Ã£ Ÿã‚ˆæ ¥ ½Ã£ â€"ã ãÆ' ãÆ' £Ã£Æ' ãÆ' £Ã£Æ' ãÆ' £Ã¦ ¥ ½Ã£ â€"ã ãÆ' ãÆ' £Ã£Æ' ãÆ' £Ã£Æ' ãÆ' £Ã£ ¿Ã£â€šâ€œÃ£ ªÃ£â€šâ€šÃ¨ ¸Å ã‚ よ Ã¥Æ'•ã ¨Ã£Æ' ãÆ' £Ã£Æ' ãÆ' £Ã£Æ' ãÆ' £ ãÆ' ãÆ' £Ã£Æ' ãÆ' £Ã£Æ' ãÆ' £Ã£Æ' ãÆ' £Ã£Æ' ãÆ' £Ã£Æ' ãÆ' £ 㠂゠㠦ん㠼㠆㠮ã‚ µÃ£Æ' ³Ã£â€š ¿Ã£â€š ¯Ã£Æ' ãÆ' ¼Ã£â€š ¹Ã£â€šâ€šÃ£ „㠡㠩æ ¥Ã£â€šâ€¹Ã£â€šË†Ã£ ¨ Ã¥ ¸ °Ã£ £Ã£ ¦Ã£ 㠕よ㠪ら ã‚ ·Ã£Æ' £Ã£Æ' ©Ã£Æ' ©Ã£Æ' ³Ã£Æ' ©Ã£Æ' ³Ã£ •ã‚ˆã ªÃ£â€šâ€° ã‚ ·Ã£Æ' £Ã£Æ' ©Ã£Æ' ©Ã£Æ' ³Ã£Æ' ©Ã£Æ' ³Ã£â€š ¿Ã£Æ' ³Ã£Æ'â€"ãÆ' ªÃ£Æ' ³Ã© ³ ´Ã£â€šâ€°Ã£ â€"㠦æ ¶Ë†Ã£ ˆã Ÿã‚ ·Ã£Æ' £Ã£Æ' ©Ã£Æ' ©Ã£Æ' ³Ã£Æ' ©Ã£Æ' ³ ã‚ ·Ã£Æ' £Ã£Æ' ©Ã£Æ' ©Ã£Æ' ³Ã£Æ' ©Ã£Æ' ³Ã£â€š ·Ã£Æ' £Ã£Æ' ©Ã£Æ' ©Ã£Æ' ³Ã£Æ' ©Ã£Æ' ³ 㠂゠㠦ん㠼㠆㠮ã‚ µÃ£Æ' ³Ã£â€š ¿Ã£â€š ¯Ã£Æ' ãÆ' ¼Ã£â€š ¹Ã£â€šâ€ 㠋㠄㠪㠊㠲ã ’ã ® 㠊㠘㠄㠕んãÆ' ªÃ£Æ' ³Ã£Æ' ªÃ£Æ' ³Ã£Æ' ªÃ£Æ' ³ ãÆ' ãÆ' £Ã£Æ' ãÆ' £Ã£Æ' ãÆ' £Ã£Æ'‰ãÆ' ³Ã£Æ'‰ãÆ' ³Ã£Æ'‰ãÆ' ³ ã‚ ·Ã£Æ' £Ã£Æ' ©Ã£Æ' ©Ã£Æ' ³Ã£Æ' ©Ã£Æ' ³Ã£â€š ã ™ã‚Å'㠡ã‚Æ'ã ã‚ ã よ 㠊も㠡ã‚Æ'ã‚ ·Ã£Æ' £Ã£Æ' ©Ã£Æ' ©Ã£Æ' ³ ãÆ' ªÃ£Æ' ³ ãÆ' ãÆ' £Ã£Æ' ãÆ' £Ã£Æ' ãÆ' £Ã£Æ'‰ãÆ' ³ ã‚ ·Ã£Æ' £Ã£Æ' ©Ã£Æ' ©Ã£Æ' ³ Romaji Translation Awatenbou no SantakuroosuKurisumasu mae ni yattekitaIsoide rin rin rinIsoide rin rin rinNarashite okure yo kane oRin rin rin rin rin rinRin rin rin Awatenbou no SantakuroosuEntotsu nozoite okkochitaAitata don don donAitata don don donMakkuro kuro ke no okaoDon don don don don donDon don don Awatenbou no SantakuroosuShikataganaikara odotta yoTanoshiku cha cha chaTanoshiku cha cha chaMinna mo odoro yo boku toCha cha cha cha cha chaCha cha cha Awatenbou no SantakuroosuMo ichido kuru yo to kaettekuSayonara shara ran ranSayonara shara ran ranTanburin narashite kietaShara ran ran Shara ran ranShara ran ran Awatenbou no SantakuroosuYukaina ohige no ojiisanRin rin rin Cha cha chaDon don don Shara ran ranWasurecha dame da yo omochaShara ran rin cha cha chaDon shara ran The Use of ~bou Awatenbou means, a hasty person. ~bou is attached to some words and expresses ~ person, ~ person who does ~ in an affectionate or ridiculing manner. Here are some examples: Okorinbou 怒りんå Å --- a short-tempered or irritable personKechinbou 㠑㠡ã‚“å Å --- a stingy person; a miserAmaenbou çâ€ËœÃ£ ˆã‚“å Å --- a pampered or spoiled person.Kikanbou ã ã ‹ã‚“å Å --- a naughty or unruly personAbarenbou æš ´Ã£â€šÅ'ã‚“å Å --- a rough or disorderly person.Kuishinbou é £Å¸Ã£ „ã â€"ã‚“å Å --- a gourmandWasurenbou Ã¥ ¿ËœÃ£â€šÅ'ã‚“å Å --- a forgetful person The Prefix ma Makkuro means as black as ink. Ma is a prefix to emphasize the noun that comes after ma. The Japanese title for Rudolph the Red Nosed Reindeer is Makkana ohana no tonakai-san. Lets look at some words that include ma. Makka çÅ"Ÿã £Ã¨ µ ¤ --- bright redMakkuro çÅ"Ÿã £Ã© »â€™ --- black as inkMasshiro çÅ"Ÿã £Ã§â„¢ ½ --- pure whiteMassao çÅ"Ÿã £Ã© ’ --- deep blueManatsu çÅ"Ÿå ¤ --- the middle of summerMafuyu çÅ"Ÿå†¬ --- the middle of winterMakkura çÅ"Ÿã £Ã¦Å¡â€" --- pitch-darkMasski --- at the very firstMapputateu --- right in twoMassara --- brand new The Prefix o The prefix o is added to kao (face) and hige (beard; mustache) for politeness. Again, the title Makkana ohana no tonakai-san (Rudolph the Red Nosed Reindeer) includes the use of the prefix o as well. Hana means nose and ohana is the polite form of hana. Onomatopoeic Expressions There are many onomatopoeic expressions used in songs. They are words that describe sound or action directly. Rin rin describes a ringing sound, in this case the sound of a bell. Don expresses thud and boom. It is used to describe the sound that Santa Claus makes as he comes down a chimney.
Wednesday, May 6, 2020
Mosquitoes Free Essays
string(61) " in control she brings the interaction to an immediate halt\." William Faulkner’s Mosquitoes is a roman à clef featuring some of the people and locations Faulkner encountered while staying in New Orleans as a young writer. This paper will examine the relationship between the upper class and the artists and the relationship between the upper class and the workers. In particular this paper will examine the actions and character of the two main characters: Mr. We will write a custom essay sample on Mosquitoes or any similar topic only for you Order Now Gordon and Patricia Robyn, as well as a most interesting character Ernest Talliaferro. Faulkner stages much of his novel aboard a yacht so that they won’t have contact with other members of society. In literature the use of isolating the characters from society is not uncommon for example Huckleberry Finn by Mark Twain, Shakespeare’s The Tempest and Agatha Christie’s Ten Little Indians and The Mousetrap. By separating characters from society, the author is able to focus his or her attention on the people as themselves, almost as if he or she were isolated for a laboratory experiment. Mosquitoes provides Faulkner a forum to examine the artistic life in contrast to the life of the members of the beautiful people and the workers. In particular Faulkner examines the creative growth of the artists and the lack of growth of the part of the others on the cruise (Atkinson, 8). Faulkner stocks his novel with characters representing three groups or perhaps communities of society. He represents the artists with of Dawson Fairchild, a novelist, Mr. Gordon, a sculptor, Mark Moore, a poet trying to â€Å"nurture a reputation for cleverness,†Dorothy Jameson, a painter and Eva Wiseman, a lesbian poet (Fitzgerald 39). Also included with this group is Julius Kauffman who at times serves as a narrator such as when he relates the life story of Mrs. Maurier, hostess of the cruise or as the philosophic pathfinder for the artists’ discussion throughout the book. Among the social elite are Mrs. Maurier a social dilettante who is quite wealthy and a hanger-on of artists, her twin niece and nephew Patricia, who is the catalyst for much of the book’s action, and Josh Robyn who are visiting from Chicago, and Ernest Talliaferro who is the conduit between three classes. He is a member of the working class as a buyer of women’s clothes for a local department store, he is friends or is at least known by some the artists who don’t really seem to care too much about him, and visits with Mrs. Maurier who also appears to not care about him except for his ability to provide access to the artistic community. The novel is written in six major sections days 1, 2, 3, 4, a prologue where Faulkner gathers up his characters and an epilogue where he returns them to their individual places in society. The sections, Day One through Day Four take place largely Mrs. Maurier’s yacht the Nausikaa. In Homer’s Odyssey Nausikaa was a young woman, daughter of the king, who found Odysseus and brought him into her city to care for him. In Mosquitoes Mr. Gordon represents Odysseus and Patricia Robyn is the analogue of Nausikaa. Mr. Gordon is a sculptor. When the novel begins, Gordon has just finished a sculpture. It represents his ideal woman. It is of a young woman with small breasts who has no head, arms, or legs. Mr. Gordon has sculpted the piece from his imagination rather than using a model. At this time he has little interaction with others, artistic or otherwise. Shortly after the novel begins, Mrs. Maurier, Patricia Robyn, and Ernest Talliaferro visit Gordon’s studio and see the new sculpture. The reactions of both Patricia and Gordon are plot points in the novel. When she first sees Gordon’s sculpture Patricia believes she recognizes the statue as being of herself, â€Å"[i]t’s like me†(Faulkner 28). Mr. Talliaferro describes it more eloquently â€Å"[d]o you see what he has caught? . . . The spirit of youth, of something fine and hard and clean in the world†(26-27). Mr. Gordon is very interested in Patricia in relationship to his sculpture. He examines â€Å"her with growing interest her flat breast and belly, her boy’s body. . . . Sexless, yet somehow vaguely troubling. Perhaps just young, like a calf or a colt†(Faulkner, p. 26). Throughout the book there is a sexual tension between Gordon and Patricia. When they are swimming he twirls her around and throws her into the water. She is thrilled, â€Å"for an instant she stopped in midflight, . . . high above the deck while water dripping from her turned to gold . . . the last of the sun slid upon her and over her with joy†(Faulkner 72). Ultimately it is Patricia and to a less extent, Mrs. Maurier who provide the artistic growth for Mr. Gordon. Just as Nausikaa rescued Odysseus from the sea, Patricia rescues Gordon from his previous tendency to work without a model, working from his mind using ideal types that don’t exist in reality. When Mr. Gordon sees her in her young, self-centered state, he realizes he must work from real life. He makes a mask of Mrs. Maurier. This is significant because it is the first time, as far as the reader knows, that Mr. Gordon had sculpted based on a live person rather than his personal artistic ideal. His growth and change of artistic inspiration to the real world are punctuated in the Epilogue where he walks the busy night streets of New Orleans with Fairchild and Kauffman drinking and celebrating their epiphany of working within society. Gordon leaves the book when he decides to visit a bordello looking for a real woman instead of a fantasy woman (Hepburn, 21-22). Throughout the play Patricia has an androgynous quality about her. Despite her sexual appeal to Gordon and later to David West the ship steward, Patricia is always described as â€Å"hard and firm and sexless†(Faulkner 140). In many ways she seems androgynous, neither male nor female. Although she will flirt with men, kiss them and even run away with them, whenever she feels she is not in control she brings the interaction to an immediate halt. You read "Mosquitoes" in category "Essay examples" She is the female part of the person she and her brother make together. At times they will call each other â€Å"Gus†as if Gus were the real person and Patricia and Josh were just partial personae of Gus. She lies next to her brother for part of the night of day four because she wants to be near him. He will be leaving for Yale the next day where she not be nearer to him than living in an apartment in New Haven. While lying together she asks him â€Å"[d]idn’t you do something to that boat†(Faulkner, p. 261. The yacht had gone to ground and was unable to move for three days, making certain they were uninterrupted by outsiders. This was caused when Josh removed a rod in the steering mechanism, but Josh denies it, â€Å"I never hurtâ€â€I never was down there except the morning when you came tagging down there (Faulkner, p. 261). Yet he quickly tacitly admits his guilt when he asks if Patricia has told their aunt. By the second day Patricia is bored with being a living ideal and looks for diversion. She decides to go swimming and coaxes David West, the steward to go with her. While swimming he is aroused by her, he â€Å"looked up at her with an utter longing, like that of a dog.†On day three they leave the ship and try to cross the swamp and get married in Mandeville. Their excursion into the swamp, struggle to find the road and the way to Mandeville with David West seems to foreshadow for Patricia what her life might be if she were to give up her place in high society and marry into the working class. She wouldn’t be able to bear it. She would use up her working class husband, working him until he collapsed from exhaustion. It isn’t long before Patricia treats West like an animal. She is done slumming with the working class and decides to take charge just as her social position permits. She demands, in the face of reason, that they take the direction she chooses when they arrive at the road. This seems to indicate that she realizes she has chosen the wrong way by leaving the boat, representing wealth and high society. She literally rides him into the ground as he carries her when she is too tired to walk. When they discover they have been walking the wrong direction, West collapses. Ultimately they find someone to give them a ride back to the Nausikaa, but she insists on paying with her own money. As a consequence of what David and Patricia went through together David quits his job and is gone the next morning. A curious thing is that Patricia seems to the only one troubled by mosquitoes. Almost exclusively she is the one who â€Å"angled her knee upward and outward from the knee, scratching her ankle†(Faulkner 23). It is she that â€Å"suddenly slap[s] her leg when she and West are planning to enter the swamp. It is Patricia is so badly bitten by mosquitoes that West puts his shirt over her to protect her (Faulkner 150). Of all of passengers, she is the one that is most irritated by the pesky â€Å"mosquitoes†of life. One last point about Patricia that should be made has to do with the evening when she first met Mr. Talliaferro. As Mr. Talliaferro prepares to leave Mrs. Maurier and Patricia for the evening Patricia calls him â€Å"Mr. Tavers.†This is apparently his real name and the incident shocks him. His entrails feel cold because of her statement (Faulkner 31). This writer tried on numerous occasions to find a resolution to this puzzle but was unable to do so. The nearest indication that might solve this puzzle appears in the description of Talliaferro (Faulkner 32) â€Å"[t]hey never did know what became of Mr. Talliaferro’s sister.†This might indicate that Faulkner had initially intended to make some previous connection between Patricia and Talliaferro through his missing sister, but failed to do so in the final version. This event provides a segue to a most interesting character: Ernest Talliaferro. Mr. Talliaferro is a tiny man, eager to please, unwilling to make waves, but eager to spend time with artists, particularly Dawson Fairchild. He is a buyer for the women’s clothes department at a local department store. He married young, was widowed young and set about making himself over. He â€Å"did†Europe in forty-one days and cultivated friendship with artists and members of society, such as Mrs. Maurier. He lacks confidence, often apologizing and knocking into things. He is eager to date women but finds himself unable to get up the nerve. Frequently he seeks Fairchild’s advice. On the second day of the cruise Fairchild tells Talliaferro that he isn’t â€Å"bold enough with women . . . I don’t mean with words. . . . They ain’t interested in what you’re going to say: they are interested in what you’re going to do†(Fitzgerald 96). Sadly, but a bit amusing, Talliaferro takes this advice to heart and tries to implement it with Jenny the attractive young woman whom Patricia invited to attend. On the second day Talliaferro finds Jenny sleeping on the deck. He tries to wake her â€Å"[w]ake princess with kiss†(Faulkner 109) this causes her to awaken but she is terribly frightened. However she does dance with him later that afternoon and things go smoothly until day four when the guests are trying to free the boat and Talliaferro is overcome with desire and grabs her and pulls her with him into the water. Naturally, Fairchild thinks this it is funny that Talliaferro has implemented his advice in such a boisterous fashion and laughs about it. Unfortunately, Talliaferro has not learned his lesson and repeats his efforts in the â€Å"Epilogue†only to be disappointed again. By the end of novel Talliaferro has retreated further into himself and seems to have no interest in a relationship with a woman. Although Faulkner never uses the â€Å"M†word in this book, it is clear by the scratching and slapping that there are both literal and figurative mosquitoes. As mentioned above, Patricia suffers from bites from mosquitoes. Most of characters suffer from pesky, annoying irritations throughout the book. The artists are irritated by the way in which the non-artists want to parade them around on the cruise like some sort of show pony. Talliaferro is irritated due to his inability to successfully seduce women, Josh Robyn is irritated that Major Ayers does not believe that he is making the pipe for fun. Naturally Ayers is upset because he wants to market the pipe, and Robyn will not help him do so. It is in part due to the irritations that Gordon, Fairchild, and Kauffman grow. Prior to the cruise, they had lived their lives working when they could and trying to avoid the pesky little mosquitoes fostered by the non-artists. By the time the cruise has ended they have realized that these pests provide much of the motivation and interest in life. In essence, they have changed their philosophy of art from â€Å"an aesthetic ideology of formalism as part of a larger expression of cultural conservatism (Atkinson, 6) Unhappily, no one else appears to have changed much other than these three. Mrs. Maurier is still the social matron, though she is quite angry with the artists. Patricia Robyn has returned to the self-centered, sexless, hard person she was when she first appeared in the novel. When she says good-bye to the poet Mark Frost, she is just as cold to him as she was to Gordon when she first met his him. Mr. Talliaferro, the wonderful, Chaplinesque man, is still frustrated. He has had no success trying to seduce a woman. However Faulkner tells the reader that Talliaferro was to be married soon. Sadly, he does not appear to tell Ernest. The conclusion that Faulkner draws with this book appears to be that artists need to explore life, down and dirty. However, his apparent conclusion that non-artists will not grow is parochial and hopefully false. This smacks of the self-centered arrogance a young, gifted writer might have before he and his craft mature. Summary of â€Å"Faulkner’s Mosquitoes: A Poetic Turning Point†By Kenneth Wm. Hepburn Hepburn’s thesis in this article is that there was a turning point in Faulkner’s writing that occurred not with Satoris as many scholars have alleged by with Mosquitoes published two years earlier. The author tries to establish that â€Å"the poetic which finally involves from the structural considerations of various artistic strategies is both necessarily prior . . . and central to the development of†the open-ended poetic of Faulkner’s more famous novels (Hepburn 19). To prove his thesis, Hepburn focuses his study on Sections Nine and Ten of the â€Å"Epilogue†(Faulkner 277-288). In the first of these sections Hepburn contends that three of the artist, Gordon, Fairchild, and Kauffman undergo the greatest change. They are walking the streets at night through the â€Å"seedier streets†of New Orleans (Hepburn 20). In this section each of the artists, Gordon, Fitzgerald, and Kauffman make the transformation from artists that were polarized from each other to artist are more in congruence. In this section there is a parable of three groups, priests, revelers, and rats encounter a dead begger [sic] clutching a piece of stolen bread. The priests in their â€Å"thin celibate despair†(Faulkner 277) and the revelers engage in an orgy-parade cannot be bothered with the dead begger [sic]. Only the rats can appreciate him by â€Å"dragging their hot bellies over him, exploring unreproved his private parts†(Faulkner 281). According to Hepburn the parable indicates that these three artists have changed and recognize â€Å"[o]nly the artist who is willing to wade into life will ever be able to confront it with any intimacy and accuracy†(Hepburn 23). It is evident that Hepburn has interpreted these sections correctly. What is not evident is why Hepburn views Mosquitoes as a poetic turning point. What he appears to prove is that Mosquitoes provides a needed prerequisite to his later writing. This need not signify a turning point but rather may be just one more step along the path toward becoming the writer Faulkner would become in subsequent years. Works Cited Atkinson, Ted. â€Å"Aesthetic Ideology in Faulkner’s Mosquitoes: A Cultural History. The Faulkner Journal 17, 1(2001: 3-18. Faulkner, William. Mosquitoes. London: Chatto Windus, 1964. Hepburn, Kenneth Wm. â€Å"Faulkner’s Mosquitoes: A Poetic Turning Point.†Twentieth Century Literature 17, 1 (Jan. 1971): 19-28. How to cite Mosquitoes, Essay examples
Friday, May 1, 2020
Management Control System Fairness Reduce †MyAssignmenthelp.com
Question: Discuss about the Management Control System Fairness Reduce. Answer: Introduction: In the report, a situation of an organization has been described. A conversation between the program director and project manager has been shown in the video. As per the CEOs order, the program director is compelled to launch the product early through the development process but the project manager does not acknowledge the suggestion of the e program director. The project manager tries to reason with the program director that launching the project early without proper security measures can have irreversible implications. Hackers could undermine the entire project by launching a full scale attack compromising customer personal information. But the project director persists that if the project is finished earlier, the project manager can enjoy more bonus for himself and for the team. Moreover, he says that the encryption procedure can be applied through an update three weeks after. The project manager refuses to give in to the offer and does not accept the offer. The project director t hen calls up the CEO to state that the project manager is refusing to cooperate with their offer. The CEO and the project director then comes to a joint decision that the project manager should be removed and a new one should be brought in who is more compliable and easy to manage. The final consequences of the entire scenario is that the project manager was changed by the CEO which delayed the project completion life cycle. Several ethical problems in the project development has been highlighted in the YouTube video. A project should be completed without intervention if an organization initiates a project. Proper time, procedure and quality should be maintained for the project. The organization must satisfy the client with the cost, implementation and estimated time for the project (Shah, Harrold Sinha, 2014). The security problems in the completion of the project must be explained by the project director to the client. The project manager should explain to the project director that the team will be unable to complete the project in the given time (Langevin Mendoza, 2013). As the CEO has promised the client that the project will be completed before a month, the ethical problem arises from this issue. The project team should have been conducted by the CEO if the project could have been completed earlier. The project director has to understand the current condition of the project. Due to the early launch of the product the ethical problem rises. The CEO must have thought that the early submission of the project would have been beneficial for the company as it would have generated more revenues. The project manager should have told the team to handle the project a little bit faster with overtime. To perform the project with reliable quality and perfect manner, the team members should have been provided ample time and ease of mind to complete the project. The only people who are responsible for the project dilemma is the program director and CEO. The CEO should have not accepted the clients proposal and should not have accepted any excuses from them. The client was permissible to say their ideas to the without perfecting the product properly. It is the duty of the organization to check whether the members are working ethically. In the given video, the entity which performed unethically was the organisation itself (MARRCH, August 2015). The organization should have known if they can handle delivering a perfect product early. The clients, team members of the project and the project manager are the all affected by the problems. Due to the pressure from the CEO and the program director, first, the project manager will be affected. As the project manager has to allocate each and every task to his team members and adjust their processes, he will have face the most difficulty in this particular situation. The team members will be the next entity to get affected by the situation as they have to design the project allocated the project manager. The employees health is a major concern due to overwork which is the duty of the organization to look after (Payne, Jones Harris, 2013). The client can also get affected as the project manager strictly said that he wont comply with the CEOs claims (Yeslam Al-Saggaf, October 2016). The best action of the YouTube video is that the project manager ignores the words of the director and continue his work on the project. As the CEO and the program director warns to change the project manager and assign a new one, the process will be time consuming as he had to learn the technicalities of the project from the start. The CEO should talk to the client and pursue them that the project cannot be delivered according to their schedule. This will be beneficial for the company as in case a cyber-attack occurs on the product, the name of the organization will suffer along with the client. The other action that can follow is the total resignation of the entire team so that the CEO gets his product delayed inevitably. The team can not comply with the unethical behaviour of the organization. A meeting can be done by the CEO with the team members to analyse the issue properly (Miao et al. 2013). The best action of the project must be taken by the CEO himself. Talking with the client in an understanding way and telling them about the possible risks associated can be done by only the CEO himself. As per the consequences shown in the video, the best option was to remove the project manager from the team and appoint a new one who will not have as much knowledge about the project as he has so the organization will suffer. The stakeholder affected in this situation is the project manager but the real stakeholder affected is the organization whose product delivery date will be delayed. The quality, time and cost of the project implicates the best option. Utilizing the best option will result in the project manager doing the project perfectly without hampering the project quality (Frederickson Ghere, 2013). If he delivers the project early, the quality of the project will not be as per the standards and can have serious implication due to lack of proper security measures. Due to less time, the project cost will rise (Jackson, Kumbhakern Leech, 2013). The project manager chose the best option as the estimated cost, time and quality will never vary. Conclusion To conclude the report, it can be stated that the organization should prevent these types of issues during the time of signing contract in the agreement paper with the client. During the initiation of the project, the client should state if they need the product early. The CEO as well as the program director should firmly comply with the deadline date of per the agreement. If the project is wanted earlier by the client, the quality of the project will suffer and not meet the required standards. References Frederickson, H. G., Ghere, R. K. (2013).Ethics in public management. ME Sharpe. Jackson, T. A., Kumbhakern, V., Leech, M. L. (2013).U.S. Patent Application No. 13/402,589. Langevin, P., Mendoza, C. (2013). How can management control system fairness reduce managers unethical behaviours?.European Management Journal,31(3), 209-222. MARRCH. (August 2015). ORGANIZATIONAL ETHICS AND PERSONAL RESPONSIBILITY. https://www.marrch.org/?page=ethics_archive_0815 . Miao, Q., Newman, A., Yu, J., Xu, L. (2013). The relationship between ethical leadership and unethical pro-organizational behavior: Linear or curvilinear effects?.Journal of Business Ethics,116(3), 641-653. Payne, N., Jones, F., Harris, P. R. (2013). Employees perceptions of the impact of work on health behaviours.Journal of health psychology,18(7), 887-899. Shah, H., Harrold, M. J., Sinha, S. (2014). Global software testing under deadline pressure: Vendor-side experiences.Information and Software Technology,56(1), 6-19. Yeslam Al-Saggaf. (October 2016). Scenario 3: Early Launch. https://www.youtube.com/watch?v=v5M7ohdZ6qA .
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